Girls Bravo

Mar 17, 2015 / 1,205 notes

chicksintightdress:

deborah_tmz

(via chicksintightdress)

#selfie #blue dress

Mar 17, 2015 / 85 notes

(via theroosterrecycles)

Mar 17, 2015 / 115 notes

dragana-d:

Freja Beha Erichsen

(via estmsk)

Mar 17, 2015 / 338 notes

stefanofabbri:

Kristin @ Major models by Stefano Fabbri

(via bikinifetish)

Mar 17, 2015 / 25,707 notes

(via johnnychallenge)

Mar 17, 2015 / 8 notes

nothinglikethesun:

untitled by hexagonesun on Flickr.

#contax #g1 #girl #ana #savin #cold #comarnic

Mar 17, 2015 / 2,339 notes

seasonnetts:

“I thank you God for this most amazing day, for the leaping greenly spirits of trees, and for the blue dream of sky and for everything which is natural, which is infinite, which is yes.” -e.e cummings by summerschantz on Flickr.

(via himiiw)

lucima:

HelloKhrys has the second largest collection of Hello Kitty paraphernalia. The number one collection belongs to Sanrio :)As insight into my image selection process, I selected 31 images from this set and after 4 passes finally whittled it down to 6. There were no challenges here, I got enough variety to tell a story with good flow. The only challenge was getting down to a practical number where the edits weren’t redundant.I feel like I’ve said this before, but it’s worth saying again.Redundancy is a huge problem. Photographers often shoot redundant poses, camera angles, crop and composition, background, lighting, etc. only to find out later that they don’t have enough variety to tell a story. Whether you’re a photographer, makeup artist, model, agent, or editor there’s never a need for duplicate images. Even if they’re not identical, images that are too similar don’t add value and therefore don’t propel the story.The other things is flow. The layout of these images isn’t arbitrary. It’s the same way I learned to edit video. The images/clips have to guide the eyes and propel the story. When they’re laid out side-by-side (back-to-back) they should have some contrast and also some consistency. Fortunately they’re all of the same set and all in B&W so consistency is easy. I generate contrast here by juxtaposing shots of different crops and camera angles to create more impact. For example, I try to avoid putting two shots next to each other where the model is laying down. Instead, I will put a shot of her laying down next to a close up of her face or of her sitting up. That way I am propelling the story.

Mar 17, 2015 / 87 notes

lucima:

Hello
Khrys has the second largest collection of Hello Kitty paraphernalia. The number one collection belongs to Sanrio :)
As insight into my image selection process, I selected 31 images from this set and after 4 passes finally whittled it down to 6. There were no challenges here, I got enough variety to tell a story with good flow. The only challenge was getting down to a practical number where the edits weren’t redundant.
I feel like I’ve said this before, but it’s worth saying again.
Redundancy is a huge problem. Photographers often shoot redundant poses, camera angles, crop and composition, background, lighting, etc. only to find out later that they don’t have enough variety to tell a story. Whether you’re a photographer, makeup artist, model, agent, or editor there’s never a need for duplicate images. Even if they’re not identical, images that are too similar don’t add value and therefore don’t propel the story.
The other things is flow. The layout of these images isn’t arbitrary. It’s the same way I learned to edit video. The images/clips have to guide the eyes and propel the story. When they’re laid out side-by-side (back-to-back) they should have some contrast and also some consistency. Fortunately they’re all of the same set and all in B&W so consistency is easy. I generate contrast here by juxtaposing shots of different crops and camera angles to create more impact. For example, I try to avoid putting two shots next to each other where the model is laying down. Instead, I will put a shot of her laying down next to a close up of her face or of her sitting up. That way I am propelling the story.